Aaron Peck

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“Albert Camus, Patron Saint of the Sticks,” Los Angeles Review of Books [online], 10 September 2020.

“Distancing #31: Don of Diamond Dreams,” The Believer Logger [online], 3 August 2020.

“Jeff Wall’s New Look,” Walrus Magazine, Novemeber issue 2019 [print], posted online as “One Photographer’s Artistic Encounter with the Selfie Generation,” 14 November 2019.

“Reframing the Black Model at the Musée d’Orsay,” New York Review Daily [online], 22 June 2019.

“Souvankham Thammavongsa’s Cluster,” Music & Literature [online], 28 May 2019.

“The Burning of Paris,” frieze [online], 16 April 2019.

“The Wit of Their Strange Appearance: On Sylvia Legris,” Music & Literature, No. 9., 2019.

“On W. G. Sebald’s Austerlitz” frieze magazine, Issue 200 Jan-Feb 2019.

“Two-Step: A Boolean Comedrama by Jacques Jouet and Oliver Salon,” The Quarterly Conversation. Issue 54., 2018.

“Mural Murder Mystery,” The Happy Reader, Summer 2018, Issue no. 11.

“Foujita: Imperial Japan meets Bohemian Paris,” New York Review Daily, 27 May 2018.

“Harry Mathews’s The Solitary Twin,” The White Review, 8 May 2018.

“Craig Owens: Portrait of a Young Critic,” frieze [online], 14 March 2018.

“Gus Bofa’s Low-Life Art,” New York Review Daily, 23 January 2018.

“On Nuts and Other Editions: The Books in George Bowering’s Study,” TCR, Fall 2014, Vol. 3, No. 24.

“The Door Is Open: For Peter Quartermain”, Golden Handcuffs Review, Fall/Winter 2013-2014, Vol. 1, No. 17.

“Found Manuscripts,” Bookforum [online], October 21, 2012.

“Notes on Music and Evil,” a preface to a special edition of Herman Melville’s Billy Budd, Sailor, published by Publication Studio, Portland, and Deck Towel, NY, in 2010, in an edition of twenty.

“Too Many Words,” Weekday Magazine, 2010, Vol. 1, No. 1.